She became an overnight star at 24. Passed away just 10 years later, penniless

Vimi's journey through the Hindi film industry was a brief yet haunting saga, filled with glamour, heartbreak, and isolation. Though she acted in only ten films and died tragically young at just 34, her story is remembered for the devastating contrasts between her early promise and her eventual decline.

Born in 1943, Vimi initially trained in classical singing. However, she pivoted to acting—a decision that earned her fierce disapproval from her conservative family. Facing intense backlash, she was disowned and left to navigate the complexities of the film world alone. Despite this, she seemed poised for stardom. Vimi had an elegant lifestyle that reflected her refined tastes—she lived in a stylish bungalow in Mumbai’s upscale Pali Hill, enjoyed golf during her leisure hours, and drove a sleek car. Her debut in B.R. Chopra’s Humraaz in 1968 catapulted her into the limelight, sparking hope that she would soon be counted among the top actresses of her generation.

However, fame proved fleeting. Soon after her promising start, her life began to unravel. Vimi moved to Kolkata under distressing circumstances, and gradually found herself sinking into alcoholism. The glitter of her initial success faded, replaced by the harsh shadows of rejection and financial instability.

In one episode of Tabassum Talkies, veteran host Tabassum recalled details of Vimi’s personal life. She had been married to Shiv Agarwal, a businessman from Kolkata. The union led to Shiv being cut off by his own family. Vimi was already married when she entered films, and in a 1968 interview, she had revealed that her husband intended to produce a movie for her, while she had already signed three other projects—Rangeela, Sandesh, and Appointment. But fate was unkind. Eventually, Shiv abandoned her under pressure from his parents, especially as her film career began to nosedive.

Though her first director, B.R. Chopra, once remarked that Vimi was bright, educated, and quick to learn, he never cast her again after Humraaz. The films she did after her debut failed at the box office. She managed to remain somewhat visible through magazine features and public appearances, but by the early 1970s, she had completely faded from the public eye. When news broke of her death in 1977, the tragic details of her downfall were finally made public.

Following her separation from Shiv, Vimi began living with a film distributor named Jolly. Believing that proximity to him could help resurrect her fading career, she placed her trust in the wrong person. To make ends meet, she launched a textiles venture, but that too collapsed, forcing her to sell it off to repay mounting debts. Tabassum later revealed that Vimi had earned a poor reputation in the industry as an ineffective performer, which only compounded her difficulties. With offers drying up, she turned to alcohol to cope with her despair.

Worse still, her association with Jolly turned exploitative. Reports suggested that he coerced her into sex work, framing it as the only viable path back into films. This psychological and emotional toll broke her spirit. Vimi spiraled deeper into alcohol dependency, resorting to cheap liquor in her final years. In 1977, she died of liver failure at Mumbai’s Nanavati Hospital. Her body was taken to the cremation ground on a handcart, pushed by Jolly. No notable film personalities attended her funeral, though some claim that Sunil Dutt may have made a quiet appearance.

Even after her passing, Vimi’s dignity was not left untouched. A man named Krishna, who presented himself as a friend, penned a demeaning obituary in Anand Bazar Patrika. He mockingly referred to her death as a relief and disparaged her attempts to find work through personal connections, painting a cruel picture of a woman desperate and misguided.

During her short-lived career, Vimi featured in films like Aabroo alongside Ashok Kumar, and Nanak Naam Jahaz Hai, sharing the screen with Prithviraj Kapoor and I.S. Johar. She even had a brief appearance in Guddi, starring Jaya Bhaduri. Her final film, Krodhi, directed by Subhash Ghai and starring Dharmendra and Shashi Kapoor, was released posthumously—several years after she had passed away.

Vimi’s life stands as a somber reflection of the brutal realities that lurk behind the dazzling façade of show business. Her legacy endures not through awards or acclaim, but as a cautionary tale of dreams extinguished too soon.